K K Senthil Kumar - Baahubali
Nikos Andritsakis - Detective Byomkesh Bakshy!
Rajeev Ravi – Bombay Velvet
Sudeep Chatterjee – Bajirao Mastani
Avinash Arun – Masaan
Anil Mehta – Badlapur
Siddharth Diwan – Titli
Anuj Dhawan – Main Aur Charles
Sandeep Mohan – X-Past is Present
Ravi Varman – Tamasha
Bahubali is undeniably the most amazing movie of 2015. This classic motion picture has impressive and incredible shots on almost every edge. Senthil Kumar has professionally managed to equilibrium the VFX and camera created attempts. The camera confines the flamboyance of the film in the most excellent way. The diagram appeal of this movie is believable for building Bahubali what it is – the chartbuster of 2015.
This Greek cinematographer has prearranged us one of the most visually pleasing silver screens in B-town. With the proper exercise of illumination, Nikos Andritsakis has been capable of emphasizing the crucial building blocks of Calcutta in 1943. Also, lights used on the spirit’s face are clear and makes a declaration. The distinctive locations are luminous and compose the movie pulsating in its way.
Out of the many phase motion pictures Bollywood eye witnessed in 2015, “Bombay Velvet” is one of its types. With a sepia streaked premise, the classic show has been well offered. The ominous yet golden emergence flawlessly fits the atmosphere of the movie. The turns have expertise by degrees and the cinematography of Bombay Velvet positively positions out.
This magnum composition of Sanjay Leela Bhansali Born on 24th February 1963, Sanjay Leela Bhansali >> Read More... is one of the most expected films of 2015. Bhansali pair-offs once over with Sudeep Chatterjee to formulate this breathtaking and fair movie footed on the Maratha Kingdom of 18th century. The ensign and frameworks of this picture are lively, and the core of the progress expressed accurately. A motion picture with this quantity of excessiveness needs an unspoiled cinematography, and Sudeep Chatterjee has ended an astral job in supervising this.
One of the most brilliant and juvenile cinematographers we have seen, it is never sufficient alleged about Avinash Arun Dawhare. Masaan has an enthralling illustration petition and explains a mix of insipid and intense shots. He rationalizes the Indian holy locality, Varanasi. This film is extremely done, and we can sense it too, which makes the motion picture fashionable, in a way.
This powerful stroke depiction has some marvelous actors and the cinematography greeting is the strength of the show, all through. This dim, coarse and blonde movie has the ideal structures and masterpiece for every panorama. The atrocious and battle landscapes are efficiently done, in a realistic method.
Siddharth Diwan’s heartrending cinematography depicts the subject matter of this big screen. The rough camerawork and delicate diversion of lights give you the senses at the precise time. The hand-held camera attempts perform with excellence, and the general outward show of the movie makes you believe stressed, the way it’s theoretical to be.
“Main Aur Charles” has a weird approach to filming. The camera effort is lustrous and ideal. The casings and perspectives mock you and seduce you just as per the central character. Also this takes place to be a phase film, and the cinematography is done effortlessly with a modern-day technique of filming.
One of the most exclusive motion pictures of Indian Film Industry in 2015, “X-Past is present” is a compilation. All chief features of the silver screen are tentative in nature. Gaudy cinematography, conceptual angles, and mesmerizing shots keep you captivated to the movie and go well to the whole idea of the picture. This film has a lot to explain and enlighten, and the cinematographers incarcerate each fragment of this.
Tamasha furnishes you a stunning, constant and bright conclusion of camera work prepared by Ravi Varman. The cinematography is decisive in position obsessed films and Ravi Varman does absolute fairness to this one. He has highlighted the movie in a scorching method and the utilization of elastic glow is perfectly implemented around the characters.
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