Henri- Georges Clouzot is an award-gaining French movie writer, director, and producer. He has committed to many projects as the director, writer, producer or a mixture of the three. His first fiction film was the 1942 story The Murderer Lives at Number 21 in French known as L'Assassin Habite Au 21, which highlighted Clouzot as both director and screenwriter. After the release of The Raven Click to look into! >> Read More... , Clouzot found himself stopped from making films until 1947.

In fresh and mid-'50s that Clouzot grew embraced by global critics and audiences, with the announcements of The Wages of Fear in French named as Le Salaire de la Peur in the year 1953 and Diabolique in French named as Les Diaboliques. Clouzot's later performance was held behind due to his declining physical condition, which made it imperative to leave his creation of L'Enfer. He delivered his final film La Prisonnière in the year 1966. Claude Chabrol took L'Enfer's script in the year 1994. Once promoted as the French Alfred Hitchcock, Henri-Georges Clouzot was recognised as much for his wild personal life as for his lasting contributions to contemporary cinema.

After earning his debut with the uncharacteristically light-minded story The Murderer Lives at Number 21 in the year 1942, Clouzot attracted the ire of both the Vichy newspapers and the resistance change of engaged France for his sombre drama The Raven in 1943. Condemned as a contributor, due to the last film's noted negative depiction of the French people, Clouzot was prevented from filmmaking for days after France's deliverance. With the help of such fans as Jean-Paul Sartre, the punishment was reduced to two years, providing the writer-director for installing a comeback with a series of well-received projects.

His recognised masterpieces came in the next decade with the nail-biting story of suspense, Wages of Fear in 1952 supported by the claustrophobic thriller movie Diabolique in 1955. A rare documentary, concentrating on the life and work of his longtime colleague, The Mystery of Picasso in 1956, and an emotional drama featuring Brigitte Bardot, The Truth in 1960, made Clouzot into the following decade. By that time, though, the influential movie critics of Cahiers du Cinema had rejected the established filmmaker's job as simple, unimportant shows.

Although chronic disease and personal difficulties kept him from recovering his vaunted standing during his lifetime, the past would soon settle Clouzot as one of the most famous and important filmmakers of the 20th- Centenary.

Helmut Bakaitis English Actor

Helmut Bakaitis

Helmut Bakaitis is a German-Australian actor, director, and screenwriter. Helmut Bakaitis was born in Lauban, Germany which is now known as Poland, to Lithuanian origins. He was trained at the Fort Street High School, in Sydney, where he performed a startlingly powerful impression with his thoughtful characterization of the holding role in Hamlet, a school movie which was delivered on the stepladder of the Sydney War Memorial. He is best known for his role in The Matrix Reloaded an American-Australian science fantasy action film, the first sequence to The Matrix, and the second part of The Matrix trilogy, penned and directed by The Wachowski Brothers. It debuted on May 7, 2003, in Westwood, California, and went on worldwide release by Warner Bros. in North American cinemas on May 15, 2003, and throughout the world through the latter half of that period. It was also chosen out of contention at the 2003 Cannes Film Festival. The video plays Enter the Matrix, which was published on May 15, and a compilation of nine animated squats, The Animatrix, which was published on June 3, supported and developed the storyline of the film. The Matrix Revolutions, which develops the story, was out six months after Reloaded, in November 2003. While it is the final cinema in the series, the Matrix storyline is maintained in The Matrix Online. It was the other live-action film to be published in both regular and IMAX theatres at the corresponding time. In both the movie, he played the role, the Architect. In the same year, he appeared in All Saints an Australian television medical show that first selected on the Seven Network in 1998. Set in the fictional All Saints Western General Hospital, it centred on the staff of Ward 17 until its conclusion in 2004, which is the focus turned and began serving the staff of the Emergency Department. It did produce by John Holmes beside Jo Porter, Di Drew, and MaryAnne Carroll. In 2006, he was part of Happy Feet is a 2006 Australian-American computer- encouraged musical fiction film produced, directed, and co- penned by George Miller. It stars Robin Williams, Elijah Wood, Brittany Murphy, Nicole Kidman, Hugh Jackman, E.G. Daily and Hugo Weaving. It was produced at Sydney- meant visual impacts and animation workshop Animal Logic for Village Roadshow Pictures, Warner Bros., and the Kingdom Feature Productions and was published in North American theaters on November 2006. It is the first animated movie produced by Kennedy Miller in partnership with Animal Logic. Helmut held the post of Head of Directing at Australia's NIDA-National Institute of Dramatic Art for nine years continuously till 2007.


Henry Hobson

Henry Hobson is a film director and graphic designer born in Salisbury, UK. He studied Graphic Designing in the Royal College of Art, London. His career started with designing credits and titles for several Hollywood movies. His achievements include designing the nomination credits for the 86th and 87th Annual Academy Awards. In Hollywood, he has designed titles for ‘RANGO’, “The Walking Dead”, “Fright Night”, “Robin Hood”, “Sherlock Holmes”, and “Snow White and The Huntsman”. His first independent feature film was ‘Maggie’, starring Arnold Schwarzenegger and Abigail Breslin. The film was featured at the Toronto Film Festival, as well as the Tribeca Independent Film Festival. The film was shot in a 25-day schedule. After the success, he went on to do a few more independent films like “The Bureau”, and “The Aftermath”. His movies have an excellent sense of narrative, which challenges the mind. He has a way of creating a rich cinematic universe that gives a setting for the audience to ponder over. His films are unique in a way that it deals with the different layers of the human psyche in depth. In “The Aftermath”, he places a clown in the post-apocalyptic surroundings that has an eerie chill for the senses. His movie, “The Bureau”, deals with shared memory. He beautifully juxtaposes different situation images to explain different layers of darkness. The scene of a boy riding a bicycle in the suburban surrounding poses to be a beautiful façade to give a false sense of security, and suddenly a doorknob turns to open into the dingy interiors of the Bureau Office. There is an uncanny sense of unknown lurking around in the movies he makes.

Henry Hobson English Actor