Karm Chawla is a cinematographer in the Indian film industry. He works predominantly in the Kannada film industry. He also worked in the camera and art department. His hometown is New Delhi, India, but he migrated to Mumbai. He completed his schooling from St. George’s College, graduation from Hansraj College under Delhi University, and post-graduation from L V Prasad Film and TV Academy. He has also worked in several Bollywood and English films. Some of his films include Ulidavaru Kandante, Run Antony, Vascodigama, Kirik Party, Humble Politician Nograj, Uproot, and Sleeping Awake. In the film “Ulidavaru Kandante,” he worked as the director of photography along with the movie director Rakshit Shetty and the executive producer Darshan Kanaka under the banner of the production company called Suvin Cinemas. He got the opportunity to work with the actors G Kishore Kumar, Tara Anuradha, Yagna Shetty, Achyuth Kumar, Dinesh Mangalore, Rishab Shetty, and Sheetal Shetty.

This Kannada drama released into the Indian cinemas on 28 March 2014 and showed a combination of five short stories together to form a film story. In the Kannada romantic drama called “Kirik Party” which includes lots of comedy too, he did the cinematography work with the director Rishab Shetty and the producers G. S. Guptha, Rakshit Shetty, Pushkara, and Mallikarjunaiah under the production companies named “Paramvah Studios” and “Pushkar Films.” Rakshit Shetty and Rashmika Mandanna were in the lead roles. This film won 18 awards out of a total of 34 nominations. In the movie “Run Antony,” he worked with the director Raghu Shastry V, associate director S. K. Santosh, producers Guru Raj Kumar, Parvathamma Rajkumar, Raghavendra Rajkumar and the production company called “Sri Vajreshwari Hospitalities.”

He did the cinematography work along with another cinematographer Manohar Joshi and the still photographer Chandan Gowda. Its genre comprised of thrilling drama plus romance with the actors Rukhsar Mir and Vinay Rajkumar in the lead roles. In the 2018 Kannada film “Humble Politician Nograj,” the director was Saad Khan. He was the director of photography. The film released in Indian cinemas on 12 January 2018 and in the United Kingdom on 5 January 2018. It was a comedy-drama in which the lead actor was Danish Sait who played the main character of Humble Politician Nagaraj. Most of the films in which he worked were a box office hit and were loved by the audience. His career graph is increasing slowly with every movie he is working in.

Shreesha Kuduvalli Kannada Actor

Shreesha Kuduvalli

Shreesha Kuduvalli’s style of catching the moments through the camera makes him one of the newest catch in Sandalwood. The young man, who aided ace cameraman, Krishna of Mungaru Male reputation, believes camerawork is an elementary part of cinematography where influence starts from screenplay level and ends after the concluding production ends. Right from his initial film Topiwala that showcased superstar Upendra to his newest in the creation Dhruva Sarja debuting Bharjari, Shreesha thinks learning is an unceasing procedure. He belonged from a non-filmi upbringing but wasn’t a novice with a camera. His father was a photojournalist in Shivamogga, and he had a workshop. As a kid, cameras were his playthings, and he was captivated by the complete idea of imprisoning an individual or an instant in a lens and this bait led him to his desire. Perhaps his father also affected him to get into taking pictures in his early days. After having finished schooling, when he stated his wish to parents to follow a career behind the lens, they were helpful, and also desired him to complete education first. When he was doing his graduation, he met Krishna sir, through a common workmate and was already a big fan of his efforts. He was astonished by looking at his methods as he was way ahead of his generation regarding skills. He voiced his curiosity to work with him, and he promptly agreed after having seen his effort in his first short movie Typical Kail awesome. After supporting him for a few years, he became a self-governing cinematographer. He watched a lot of films; regardless of the dialect. He would love to see how the storyline outspread and formed up through. He likes to learn from his faults and others errors as well. At the same time, he also reads a lot and stays conversant with the state-of-the-art machinery. In the world of knowledge, change is the only constant. It’s a nervous walk amid style and material. While one manager professionally drafts a film through his design another one stages his movie gracefully with the data. Regardless of the approach and matter, cinematography must be modest. The camerawork is not about the acts that are encapsulated; it’s about scouring deep into filmmaker’s conception and forming moods and bringing out feelings. The decent lighting supplement, a good lens work, and a good cameraman will know what kind of illumination to use in a particular situation.