The legacy of a director comes from his or her films. Bad films portray bad reputation, and good ones create wonder. Everyone waits for some promising movies that are going to create a whole lot of change to Indian cinema. So a keen request to these directors- Do call it a day. Let’s see who comes first.
He edited many films including
Farah Khan
Farah Khan is an Indian film actress, producer, di >> Read More...
’s ‘
Main Hoon Na
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’ (2004), directed ‘Jaan-E-Mann’ (2006) and brought out the ‘
Joker
Joker was a Tamil TV special which was aired on ZE >> Read More...
’ in him, which obviously was a flop. A film writer, director, producer, and editor, he got married to Farah Khan (a director and choreographer), in the year 2004. All will be same for his next, so he better edit himself.
‘Ra One’, a silly attempt by him, is the crisis of midlife for the director. ‘
Gulaab Gang
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’ also didn’t acquire much recognition. Still, he is trying to deliver more and more movies hoping to come across a respectful one. He must vacate his place.
Punit, a director and a writer, is the nephew of
Manish Malhotra
      Manish Malhotra, is an Indian fashion d >> Read More...
(a famous Indian designer). Dear Punit, if you are aware of your non-innovative and yawning production stories, then you should stop taking
Imran Khan
Imran Khan is an Indian film actor, who is famous >> Read More...
in every movie of yours. Not much to tell about him and his works, so give it an end.
Though he is least bothered about criticism, he is calmly covering up all his good work like ‘Dil’, ‘
Ishq
Ishq was a live music show aired on Surya Music. T >> Read More...
’, ‘Beta’, with some unbearable movies like ‘
Grand Masti
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’ and upcoming ‘
Total Dhamaal
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’. Now, the exit for him too should be a ‘Dhamaal’ one.
He had been dishonored by public as an actor. Someone, please rescue us from his supply of conflicting films. His first movie was ‘Pasand Apni Apni’ (1983), then, ‘
Dil Ne Jise Apna Kaha
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’ was good enough though to watch. But the next ‘
Hello
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’ tortured us a great deal. Now he is back with ‘
O Teri
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’, please let us all run.
Inspite of his great works and desirable passion for exploring with his movies, in ‘
Krrish 3
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’; his works will never be recognized by the Bollywood industry. Flops exceeded over hits, until his direction ‘Kaho Naa Pyaar Hai’, starring
Hrithik Roshan
Hrithik Roshan with his unimaginable dance moves i >> Read More...
(son and actor), in the year 2000, regained his popularity, though for some time. Do resign.
Most of his works are in Telugu cinema. Though his trials in Bollywood are determinative still his ‘
Aag
Aag is a Pakistani Urdu TV show. It premiered in 2 >> Read More...
’ gave the answers. This kind of erroneous career fault was depressing, from a guy who delivered much-loved ‘
Satya
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’ and ‘Sarkar'. It’s time for his pack up.
He has worked in Tamil, Telugu, Kannada, Malayalam and Bollywood Movies. There are many directions by him like, ‘ABCD: Any Body Can Dance’ and ‘
Rowdy Rathore
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’, which were not a success. His dancing capability is adorable, but his direction is a little bit low-down comparing to others. Stepping outside your well- earned fortress and venturing your wilderness is a great thing but always it does not carry out like that. Real time to analyze the awareness of his comfort zone and he should stay inside his fortress.
He is an Indian cinematographer and director. The ‘
Golmaal
Golmaal is a Telugu comedy television series. The >> Read More...
’ series might have hovered his fame for him, but his ‘
Chennai Express
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’, starring the Badshah of Bollywood (
Shah Rukh Khan
Shah Rukh Khan or also known as SRK is a prominent >> Read More...
) was enough to create a fuss but still couldn’t come up to that mark. He should seriously stop including silly fighting scenes.
Both brother and sister work in a team and are much talked about, for their works, but their laborious movie directions are not quite mesmerizing. Farah Khan is known for her choreographic work in Bollywood films and Sajid Khan is well-known for his directions. Their directions, ‘
Tees Maar Khan
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’ and ‘
Himmatwala
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’ are worthless and a pillar of plausible mockery.
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