Daily soap opera has always been an exaltation to the viewers. Serials possess an ability to clench the minds of the audience and the superlative part of the series is we follow what they want us to and we see what they want us to see. No doubt television series are able to get a flying start as a concept is fresh and humming in everyone’s mind. There is a maturity level and a decline stage of work we start with growth. Same is the scenario of television serials broadcast with a suitable title and a script which changes its line and suddenly run out of the track. Here is the assortment of serials which started with a concept and blew off its criteria on which it was supposed to keep going.
Series started off with the arrange marriage and love being showcased after marriage including family functions, issues and critics of a joint family and bond of members even after the friction of brawl against each other. Presently the vestige is not favoring the story anymore and it seems to change its supervision from a married couple story to kids being grown up and half of the characters either vanished or died in the episodes. Eight years of serial and still they don’t know what their relation is. Isn’t it funny?
The comical series with eight years of success is based on magazine Duniya he Ondha Chashma. Its high time to dismiss the show as it is an amalgam of unsolved queries like when popatlal will be married, who is Daya’s mother and much more. And it’s nothing but stretching the limits to which it can make you laugh and now it’s no more comical but turning into daily soap opera which is not acceptable for such an astonishing comical series.
Narration and the message to the audience initially was that Sasural Simar Ka set on the auspicious marred life of two sisters and now is changed into spiritual which audience seems to avoid.
Script was supposed to be demonstrating unconditional love of women for her husband despite being known that its one sided. All the thunder seems to taken away by leap and deaths of main characters.
Intially show was being a standup appreciation by critics as well as audience. It was an inspiration to all the victims of child labor in trade of money by zamindars practiced in few parts of India even today. A journey of a bold girl fighting back for the rights of every poor and child labor victims. Presently udaan takes a leapwhere usual love stories and tug of war between sisters is depicted unnecessarily.
The script and the journal of the serial revolves around an alone father bringing up her daughter on own and she is dragged over her neighbor whom she feels can fulfill all the aspects of being a mother. Serial turned into a nightmare by the entry of unwanted villains, leap and deaths which has not even a minute connection with script and simply beating around the bush.
The track of the series was child marriage and their causes. When nothing was left to showcase, serial took a leap with love stories hanging around and leading to another generation again with child marriage, leap and love stories with two levels. Thankfully show packed up in July 2016.
When you watch CID it’s been first making you learn 15 years of glory and the longest running show in Indian history. Impossible in India to have well-groomed police officers, the capability to break any door and well equipped forensic labs. The show made an outstanding start with solving of criminal cases and now it has been 15 years they are doing the same set of tasks with nonsense dramas like killing of one of their officers and from nowhere they are alive manipulating the viewers.
The track of the show was unplanned and arranged tying of knot between a handsome rock star and a middle-class women. Their love was trying to get snatched away from the rock star sister and his ex-lover. To spice up the drama they decided to take it a long way which seems to never end.
A cheerful and intelligent girl facing discrimination in society because of her sluttering get married to her lovers’ brother by mistake. This ended up by two, seven and fifteen years leap which is we never know whether it’s more or the end.
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