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Written By - Team Nettv4u

Arun Roy is a highly acclaimed Bangladeshi Cinematographer who has done mastery behind the lens which earned him the prestigious Bangladesh National Film Award for Best Cinematography not once, but thrice. His remarkable contributions to the world have left a mark since his work was majorly recognized in the films Bodhu Biday(1978), Johnny Click to look into! >> Read More... (1983), and Bhaijan(1989).

He started his movie directing career in the late 1960s. Arun Roy worked for films such as “Anowara” which released in 1967, “Dui Bhai” which released in 1968, “ Songsar Story soon >> Read More... ” which released in 1968, “Stop Genocide” which released in 1971, and “A State is Born” which also released in 1971. Arun Roy focussed on films that echo the tumultuous times of the Bangladesh Liberation War. He also continued directing movies like, “ Daagh Daagh belonged to drama genre. It was actually a P >> Read More... ” (1968), “Bijli” (1969), and “Ekee Onge Eto Rup” (1970). 

Throughout the 1970s and 1980s, Arun Roy continued to weave his magic with films like “Dost Dushman” which released in 1977, “Aradhona” which released in 1979, “Johnny” which released in 1983. He worked for “Stop Genocide” (1971), “Nacher Putul” (1971), “Manusher Mon” (1972), “Jibon Sangeet” (1972), “Dhire Bohe Meghna” (1973), “Bodhu Biday” (1978), and “ Chandralekha Click to look into! >> Read More... ” (1980). He continued on his journey to produce marvelous films like “ Rajanigandha Rajanigandha is an Indian TV serial in the Assames >> Read More... ” (1982), “Lalu Bhulu” (1983), “Johnny” (1983), “Surrender” (1987), “Bhaijaan” (1989), “Mayer Ashirbad” (1993), “Kaliya” (1994), “Banglar Nayok” (1995), and “ Tiger Click to look into! >> Read More... ” (1997). 

A testament to his skill, Arun Roy’s cinematic brilliance has been acknowledged by the Bangladesh National Film Award committee, awarding him the Best Cinematography award for Bodhu Biday, Johnny, and Bhaijan. During Arun Roy’s illustrious career, there is a pattern in which he is not just a cinematography director, but also a storyteller who, through the lens, has painted vivid narratives that transcend time and resonate with audiences across generations. 

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