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Belonging to a little town called Jamakhandi near Bagalkot, Karnataka, Shivu Jamakhandi traveled to Bengaluru 12 years back to begin his profession in the Kannada movie industry. He started as a lyricist, and songwriter before progressing to helping directors on various plans, he is lastly making his entrance as a director with the starter Nanna Ninna Prema Kathe with Vijay Raghavendra and Nidhi Subbaiah in the lead roles. The narrative for this film, also penned by Shivu, is set in Uttar Karnataka.This flick has been encouraged by a real event. But it can be anyone’s story it is a naïve love story that he is confident everyone can connect. Not making any over anticipated claims about the story being something you may have never perceived before.
He has also labored on the music, and it feels confident to see that folks are welcoming the film. Shivu adds that his selection of troupe was already set out. The tale needed a nutritious but heartful artist, and for that, Vijay Raghavendra was the first and only option. It is a demanding role as he was compelled to work on developing the right accent to validate the situation of the story. He portrays the character of a Madarangi (a guy who uses mehndi on the hands of girls at places of traveler curiosity; here external to the Gulbarga Fort) during the day, and as a part-time musician of a pop group in the late afternoon. They were also keen on interviewing a Kannadiga actress as well and waited for Nidhi to finish her promises before she could join them for the shoot.
On making a managerial entrance after a decent 12 years of being in the business, Shivu says that it has been a long trip here; it has been one of knowledge. He had the chance to toil with some of the trade's biggest names like Hamsalekha, Jayanth Kaikini, and Ramesh Aravind. Now, the director equipped and confidence of taking a narrative through from scrape to the point when it publicized onscreen, and he also thanks all his instructors for that. The first day gatherings of this movie were good and domestic viewers adored this film. It will be another chartbuster picture in Kannada film industry. The record has seven background tracks. The soundtrack includes songs that are sung by five vocalists of Kannada pictures namely Puneeth Vijay Raghavendra, Chikkanna, Rajkumar, Upendra, and Nidhi Subbaiah. Renowned singer Kavita Krishnamurthy has sung a song which is about giving praises to all the educators.
T G Lingappa or Thiruchirappalli Govindarajulu Lingappa was a South Indian musician. He predominantly worked in the South Indian Industry and contributed to Tamil and Telugu movies. He worked with noted directors of South Indian such as TR Mahalingam, B R Panthulu, P Neelakantan, etc.
He took birth in Tiruchirappalli, Chennai, India on 22nd August 1927. His music is a part of over hundred Kannada and Malayalam films, and his legacy is still carried on till today. Lingappa is a recipient of the Karnataka Best Music Director Film Award. He got the award for music in Sri Krishnadevaraya in the year 1970.
He belonged to a family with a musical background, his father G. Govindarajulu Naidu was an acclaimed musician in old South Indian Cinema. Lingappa also had an elder brother and took music training from his father. G. Govindarajulu Naidu was a known harmonium player in South India and had contacts with superstars including M. K. Thyagaraja Bhagavathar (MKT) and K. B. Sundarambal. Lingappa’s family also sold musical instruments in Tiruchirappalli.
In his childhood, Lingappa learned to play several instruments such as the guitar and harmonium. At the age of 14, director Visvanathan asked him to act and sing in his movie, Kamathenu. Lingappa worked with the director for a while and then moved to Mayoora Film Orchestra. There he played the guitar, mandolin, and harmonium. In 1941, he started playing musical instruments for actor Ashok Kumar and tried to get into the Gemini Studios as well.
At a tender age, he took a job at the Modern Theaters. Lingappa gained experience with music directors such as K V Mahadevan and T R Pappa. In 1945, he joined the Pragathy Studios and worked under R Sudarshan. Then, he moved to AVM productions and played the guitar for them. Later, he went abroad and bought more musical tools.
His struggle under various production houses and directors paid off in 1950. He composed music in T. R. Mahalingam’s directorial in 1950, and from then on he was unstoppable. He collaborated with singers such as SC Krishnan, P Leela, S. Janaki, A. M. Rajah, etc. The list of actors and directors goes on with whom Lingappa worked.
He took his last breath on 5th February 2000. His songs are brought to life by many South Indian singers. Some of his compositions are Paatu Venumaa, Amuthai Pozhiyum Nilavey Chithitram Pesuthadi, Radha Madhava Vinodha Radha, and Athimadhura Anuraga.
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