Sara Lima is a sound recordist and production sound mixer located in London and Oslo. She has nearly two decades of experience in both film and documentary work. She is fluent in English, French, Portuguese and Spanish. Sara Lima has completed her diploma course for Sound Recording for Film and T.V. from National Film and T.V. School in England. She attended Documentary Summer School in 2004 in La Femis, France. Sara completed her M.A. course in Location sound and Sound Post-production in Escuela Int. de Cine y T.V. Cuba. Sara is a member in The Association of Motion Picture Sound (A.M.P.S.), Institute of Professional Sound (I.P.S.) and Jury Member for 2019 R.T.S. Craft and Design Awards for Best Sound. Sara Lima is working on the Lena Dunham Netflix series “Too Much” for working title. She completed Tuesday, a fantasy film directed by Daina O. Pusic that is a mother-daughter narrative for A24, B.B.C. and B.F.I. Films.
She worked as an executive producer on Toby Meakins’ thriller Choose or Die, which starred Ridley Scott Sir Ridley Scott is a British film producer and a >> Read More... . In addition. She contributed to Jerry Rothwell’s documentary The Reason I Jump, which won the audience award at Sundance in 2020, the Best Sound in a T.V. show, movie, or video game award at the Sound of the Year Awards in 2020, the Best Sound Award at the B.I.F.A. Awards in 2020, and a nomination for Best Sound Documentary T.V. at the 43rd News and Documentary Emmy Awards in 2022. Sara Lima owns all the accessories and production sound equipment she needs to provide excellent sound in any kind of production setting. Depending on the scope of the project. She offers several kit packages, such as a complete sound cart for feature films or a small, portable sound bag for documentaries. Sara has experience on mainstream feature films, art works, and delicate projects. From the deserts of the Middle East to the underdeveloped regions of the Amazon Rainforest to the congested areas of India’s major cities, and lastly, to movie studios.
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