Isanaka Sunil Reddy

Isanaka Sunil Reddy is a Telugu Creator known for Gautham Nanda We truly wish managers don’t get taken away and give 38-year-old stars intro-dance melodies with bikini-clad lassies on the seashores, specifically when they look so sore doing it. Five minutes into the picture one realizes the tale would have matched someone a little fresher and little advanced you know it is fixed in a time warp.

Gopich and frolics a doppelganger role, one as a wealthy Gautam Ghattamaneni, whose individuality is nothing more than a lad of a rich dad. The former is Nanda Kishore who is jobless and lives in his household leading a tough survival. Both want to kill themselves — the well-off one, embarrassed for being a nonentity and the deprived guy for not being able to do anything for the domestic. Both thud into each other and trade places. Well, it isn’t hilarious anymore.

In many pictures, we have perceived a ‘Slum Dog’ consuming with his fingers and creaming them while the servers stand shell stunned? There is more to this than the dual role narrative. The poor Nanda Kishore gets ravenous and plots with Gautam’s father Vishnu Prasad’s (SachinKhedkar) adversary to take his place in the fortress forever. The second half goes on and on captivating the struggle amongst the two further.

There is a lot of slushy stuff including Nanda Kishore’s parentages Chandra Mohan and Sita, the days they go deprived of food, their fight to get the lassie in the house wedded, the debts, etc.all meant to mark the B and Cviewers. The tear-jerkers drive you annoyed and irritated as the story becomes foreseeable. It is alarming to see the auteur harvest a plot that has been repetitive. The ladies have nothing much to do.

The only cheerful spot in the picture is TVanchor BitthiriSatti who appeals his way into your core. It is funny to see Gautam’s dog sprinting on the treadmill, crouching along with its master at the bench and finally developing into a determining factor to differentiate as to who is the right individual, the real lad of Vishnu Prasad.

The cinematography is decent, but Gautam Nanda ends as senseless, slushy and an expectable drama with nothing new to bid. It is pitiful to see Gopich and trying vigorously to look, a baby is a hand be hilarious. Style and material do help but only when the subject is not overused, and the cast is faultless.