H.V. Subba Rao

In Hunasagahalli, close to Mysore, India, on June 18, 1934, Mr. H. V. Subba Rao Subba Rao, also known as Vepada Subba Rao, is an I >> Read More... , the eldest of six siblings and son of Shri Sanjeeva Sharma [Muttanna] and Smt. Parvathamma was born. He always cherished my wife as a sister. H Koushik and H Jayadeva, his two brothers, are well-known artists. He directed one, therefore he had a long career in theatre! In front of my wife, he could easily make enormous screens with a paintbrush. He received training from Shri Vithalachar, dubbed "Box Office Brahma." In addition to Bandhana (1984), Antha (1981), Prachanda Kulla (1984), Sharara(1984), Meri Adaalat(1984), and Gandu Bherunda(1984), H.V. Subba Rao is well-known for his works (1984). The H.V. Subba Rao (Judicial Member) and Chandra Bhan Singh (Section Head) of the National Company Law Tribunal's Mumbai Bench (Technical Member).

Producing professional H V Subba Rao. Kannada is the primary language in which H V Subba Rao has worked, however, he has also worked in other languages. He produced a few films as well and authored the scripts for 26 Kannada films. Back then, screenwriting meant writing a screenplay for filmmaking. Mr. Rao wrote the screenplay for the movie "Nagarhole," and he would talk about one scene where they had a wild elephant attack while the crew thought the elephants brought in for the film were acting! You should see the movie to see him play the tribal man. For many generations in Karnataka, the song "Niagara holy am male" was used in dances! To write the script for this film, Mr. Rao researched tribal languages. To understand the vastness of the Nagarhole forest before entrenched interests reduced it to half, one need just watch the movie. Mr. Rao had a steadfast passion for forests.

He was able to study and comprehend a wide variety of topics, including Swami Paramahamsa Yogananda's "The Autobiography of a Yogi" and Erich Anton Paul von Däniken's descriptions of the Mesoamerican culture. Making children's movies in Kannada was a first for Mr. Rao. The best examples are "Putaani agents 123" and "shade Mari Sanya." Mr. Rao, who was compensated as the finest writer, was the patriarch who recruited the majority of the young talent and dominated the Kannada business for decades.