Premankur Atorthy

Premankur Atorthy was an Indian journalist, novelist, and film director. He was born in Faridpur. He was committed to Hindi and Bengali cinema. Atorthy's primary schooling commenced at Brahmo School, in Kolkata. He then studied differently at Keshab Academy, Duff School, Day School, City School and Brahma Boys Boarding and which were then supporting the University of Calcutta. His father was Mahesh Chandra Atorthy, who was a propagator and author of the Brahma Samaj. Atorthy was creative and affectionate of adventure from adolescence.

Failing to do well in his education, he moved to Bombay. At Bombay, he studied to play the sitar beneath Ustad Karamatullah. Turning back to Kolkata, he began working at a sports assets shop in Chowringee. Consequently, he worked for the Yadughar, Baikali, Bharat Varsha, Hindustan, Nachghar, Sangkalpa, and Bharati. He was a famous novelist and dramatist, a critic of many books containing collections of short stories, essays on silent film, like cf. Atorthy, 1990 and acts. His best- known learned work is Mahasthavir Jatak in 1944, a fictional biography in four quantities regarded for its disrespectful description of Calcutta’s first 20th- century aristocracies. Among his other books are Bajikar in 1922, Achalpather Jatri in 1923, Chasir Meye in 1924, Anarkali in 1925, Dui Ratri in 1927 and Takht Taus.

Connected with literary publication Bharati; he even edited Nachghar, which was one of the first accomplishing arts records to take the film severely, with film- maker Pashupati Chatterjee and Hemendra Kumar Roy. He founded the Betar Jagat, a journal of the AIR, in Calcutta for the year 1929. He started as an actor, using the alias Krishna Haldar, at Indian Kinema Arts. He remade Punarjanma in the year 1932. Atorthy joined the International Filmcraft by B.N. Sircar as writer and associate to Prafulla Roy. He also scripted Buker Bojha for Nitin Bose in 1930.

Premankur joined the cinema world with a character in the Bangla movie Punarjanma. The first directed movie, Dena Paona, was New Theatre's first talkie, made in close opposition with Madan Theatre's Jamai Sasthi. He made various Urdu movies as part of New Theatres and an attempt to join the North Indian business, containing the classic film of Misar Kumari to Yahudi Ki Ladki by Agha Hashar Kashmiri Agha Hashar Kashmiri was born on 03 April 1879. He >> Read More... . His movie had versions of learned masterpieces, from Saratchandra Chattopadhyay, Rabindranath Tagore, and Bankimchandra Chattopadhyay.

He established the best literary movie genre which aimed to distinguish New Theatres movies from regular stage arrangements and continued great signifiers of big art in Bengali cinema. He was the first Bengali film-maker to work in Western India. He worked in the Kolhapur Cinetone in the year 1935 and for Imperial in 1936. His some of best contributions include Sudhar Prem, Hind Mahila, Karwan-E-Hayat, Mohabbat Ke Ansu, Chirakumar Sabha and much more.