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Hindi Sound Designer Vinod Subramanian
  • Gender : Male
Written By - Team Nettv4u

Vinod Subramanian is a Bollywood/Hindi sound mixer/designer known for “The Curse of King Tut’s Tomb (2006),” “The Darjeeling Limited (2007),” “Rock On (2008),” “Delhi Belly (2011),” “Rustom (2016),” “Gurgaon (2016),” “Heartbeats (2017).” He worked with few foreign filmmakers such as Wes Anderson Wes Anderson (Wesley Wales Anderson) is an America >> Read More... (American filmmaker) and Wong Kar Wai (Hong Kong filmmaker) and has twenty years of experience in this field. He conducts himself with dignity, self-sufficient & hard work. He practiced sound production and sound design for films at the ‘Film School’ for six years and graduated from the ‘Film & Television Institute of India’ (FTII) (1993-1998). Subramanian speaks several languages, including Hindi, English, Bengali, Tamil, Telugu, Marathi, Italian, and French. Topping off his sound designer skills is his proficiency in film production, creative direction, and documentaries. Subramanian worked for nine years at ‘Location Sound Corp. Motion Pictures and Film- North Hollywood.’

In 2017, he served as a director at ‘Overtone Audio PVT LTD,’ Mumbai, India, for three years. He was also a part of a miscellaneous crew for the movie Fanny Khan in 2018. Later he opened the production house, Kri Arj Entertainment with Producer Arjun Kapoor (Indian film producer), his business partner. Currently, he is working with his daughter, Prerna Arora Prerna Arora was born on 9 December 1987 in Dehrad >> Read More... (Indian film director), as the CEO at ‘Overtone Audio Pvt Ltd and Sound Mixer/Designer.’ He collaborated with Mohit Kukreti (Indian associate producer), worked for ‘Ab Tak Chhappan,’ and at ‘Whistling Woods International as a faculty member.

In 2017, Subramanian filmed a series of episodes (four) at ‘Conversations with Aditya Mehta’ on ‘Sudeep Audio’ channel on YouTube; ‘Introduction to Overtone Audio,’ ‘Sync sound recording is an art form too,’ ‘Sync sound work tips & more,’ ‘VS on his FTII days & more.’ He wrote an article based on his journey and its evolution in this field. He writes about all the difficulties he faced and how he was able to cope up.

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