Kamal Ahmed Rizvi (1930-2015) was among the first to recognize Pakistan Television Urdu drama. He is a first-rate and excellent dramatist, director, actor, and visualizer. He has a highly diverse presence in the world of theatre. He was also one of the first to influence the movement of Urdu plays from stage to television. Kamal Ahmed Rizvi was born on May 1, 1930, in the historic center of Gaya. His father worked as a police. When Kamal Ahmed Rizvi grew up, he discovered a vast library in his home. He has used it since he was a child. He had a sensitive nature, which grew stronger when his mother died. Rizvi completed a psychology degree from Patna University before moving to Karachi at 21 in 1951. He began attending meetings of the Progressive Writers Association in Karachi, but because this was hated, he was forced to leave for Lahore by a member of the Intelligence Bureau.
Kamal's theatre attempts began with his dramatic adaption of Saadat Hassan Manto's Badshahat ka Khatima (The end of kingship). He never looked back after that. He lived in poverty then; his existence may be summarised in one statement, which he expressed in his contribution to his translation of Crime and Punishment. Kamal also wrote his plays, although he was most known for translating works by Leo Tolstoy, Anton Chekhov, Jean-Baptiste Moliere, Ivan Turgenev, Nikolai Gogol, Fyodor Dostoevsky, Henrik Ibsen, and others. You Can't Take It With You by Moss Hart, George S Kaufman, The Diary of a Scoundrel by Alexander Nikolaevich Ostrovsky, and The Tyrant by Carlo Goldoni were among the translated works presented by Kamal Ahmed Rizvi. Kamal enters television through Aslam Azhar, the general manager of Khawabon ke musafir.
Rizvi was able to break into television in this manner. Alif Noon Alif Noon is a Pakistani comedy drama serial aired >> Read More... , Mr. Shaitan, Challenge Weekly, Naya Sabaq, Bano ke Mian, Darta Hoon Ainey say keh, Aao Naukri Karein, Chor Darwaza, Aap Ka Mukhlis, Hum Sub Pagal Hain, Batain Kamal Ki, Sahib Bibi Ghulam were some of his successful serials on Pakistan Television as a writer, director, and actor. There were four extended teleplays written by him The Lost Man (Khoya Hua Admi), My Comrade, My Friend (Mere Hum Dum Mere Dost), The Thief Raises a Din (Chor Machai Shor), and We Who Have Became Strangers (Mere Hum Dum Mere Dost) (Hum ke Thahre Ajnabi).
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