Ritwik Ghatak

Other names of Ritwik Ghatak: Ritwik Kumar Ghatak

Ritwik Ghatak was born in Dhakka, East Bengal now Bangladesh on 4th November 1925. His father Suresh Ghatak was a poet, play-writer and District Magistrate while his mother Indubala Devi was a house-wife. Ritwik and his twin sister Prateeti were the youngest in the family. His family moved twice to different places before settling in Kolkata for good to get away from flood and Bengal famine of 1943 and the partition of Bengal in 1947. He was married to Surama Devi and had three kids, a son Ritaban and two daughters Samhita and Suchismita; before they got separated. His wife went to her family owned place in Shillong while he had to be admitted to a mental hospital.

Ritwik was a Bengali script-writer and a film-maker. His works were mostly recognized for being the exact portrayal of the condition of society during that time. Ghatak wrote his first play Kaalo Sayar in the year 1948. In the year 1951, he joined the Indian People’s Theatre Association where he used to write, act and direct various plays. Ghatak entered film industry with Nimai Ghosh’s Chinamul in the year 1950 as an actor and assistant director. Followed by Chinamul, Ghatak released his first directorial called Nagarik. Both of his films proved to be a breakthrough in Indian film industry. His science fiction themed, comedy-drama film – Ajantrik was his first commercial success. As a script-writer, Madhumati was his commercial success. Ritwik directed eight full-length films.

In the year 1966, he moved to Pune to teach at Film and Television Indian Institute. Music director Darbar Bhaduri was highly inspired by Ritwik and his work. Ritwik wrote his last play Jwala in the early 1970’s. Ghatak got back to directing films in early 1970’s with his movie Titash Ektir Naadir Naam, but soon due to his health conditions and addiction to alcohol, it became difficult for him to direct films anymore. Jukti Taako Aar Gappo was the last film to be directed by Ghatak in the year 1974. He was given credit for many complete and incomplete short feature and short films. Ritwik received various accolades such as Padma Shri, National Awards and Filmfare for his contribution to Indian Cinema. Ghatak also has a trust in his name called Ritwik Memorial trust, which is run by his son Ritaban. Ritwik and his work have managed to inspire many directors and screen-writers and it can be seen in their films and features. Ritwik died at the age of 50 on 6th February 1976.

Another Version Of Bio Added :

Ritwik Ghatak was an Indian filmmaker/scriptwriter, who was born on November 4th, 1925. He mainly worked in the Bengali Cinematography industry. Along with famous contemporary Bengali filmmakers Mrinal Sen and Satyajit Ray Biographies reveal bare details about the maverick >> Read More... Satyajit Ray , his films primarily remembered for its meticulous portrayal of social reality. Although their roles were often adversarial, they always praised each other's work and, in doing so, these directors marked the independent trajectory of parallel cinema, as an alternative to the mainstream fare of Hindi cinema in India. Ritwik received numerous awards in his career, including NFA’s (National Film Awards) Rajat Kamal Award for Best Story in 1974 and Best Director's Award from Bangladesh Cine Journalist's Association. The Indian government awarded him with the Padma Shri for Arts in 1970.

Ritwik was born in Dhaka in East Bengal. His father Suresh Ghatak was a district magistrate and a poet and playwright. Ritwik’s mother's name was Indubala Devi. Ritwik and his twin sister Prateeti were the youngest of nine children. The other kids were Manish, Tapati, Sudhish, Sampreeti, Brototi, Lokesh Chandra, and Ashish Chandra. He and his family shifted to Berhampore, Murshidabad and then to Kolkata just before millions of refugees from East Bengal began to move into the city, fleeing the partition of Bengal in 1947. The 1971 Bangladesh Liberation War led to more refugees moving to India, and have a similar impact on Ritwik’s work. Ritwik married Surama Devi, who was the niece of the active left-wing member, Sadhana Roy Chowdhury.

They separated after some years, and she went to her ancestral place, Shillong after Ghatak temporarily sent to a mental hospital. The couple had three children, a son Ritaban and two daughters, Suchismita and Samhita. Ritaban became a filmmaker in his own right and is involved in the Ritwik Memorial Trust. He restored Ritwik's Bagalar Banga Darshan and completed his unfinished documentary on Ramkinkar. Ritaban has made a film named Unfinished Ritwik. He is currently working on adapting Bibhutibhusan Bandopadhya's novel Ichamati. Ghatak's elder daughter Samhita has made a Documentary named Nobo Nagarik. His younger daughter died in 2009. Ritwik's elder brother Manish was a radical writer of his time. He was a professor of English and a social activist and was deeply involved with the IPTA theatre movement. Manish’s daughter is the writer and activist Mahasweta Devi. 

Karan Radhakrishna Hindi Actor

Karan Radhakrishna

Karan Radhakrishna is a Bollywood director. He aims to contribute to the film industry with his commendable work. He's is a new director in the industry and is currently on a path of directing some great films as he produced last year (2016). He did his graduation from the King George Royal Indian Military School and has a degree in Bachelor (B.A.) in Economics. He knew from the start that he wanted to pursue his career in directing. He went to the St Martin School of Art and Design, London and earned a diploma in the Film Screen Play and Story boarding. He was born in London and currently he lives there. He is living his dream of creating more and more movies for the industry. He also did many short films when he was getting his Diploma from London, and he got a lot of recognition from his professors there. He is currently working as a writer and an actor with the Blue Horn Company. In March 2016, Karan created and directed a film called “Mumbai Central”, which is produced by Bridge Art movies and Ashok Kaul. The beautiful story and idea popped up in the head of Maya. He said during the making of the film, that he decided in the beginning that he would not compromise with the project due to commercial considerations. Karan did extensive research on the story line. He also met several women that had gone through the same experience that portrays during the writing of the movie. The aim of “Mumbai Central” is to depict the reality of the world and show how women were exploited and treated unequally. It also shows how the society have used their innocence and all they did was nothing. In the end, he said that he would leave it to the Indian audience to judge if his movie is the actual depiction of the society, and how well it was made. The producer of the film while appreciation Karan’s work said the making of the movie was such a mesmerizing experience. They got a chance to explore the beautiful Himalayan ranges. They also received an opportunity to interact with innocent, kind hearted and friendly people living there. They found the essence of the film there and were happy about Karan, who managed to direct the movie so beautifully.


Shitiz Srivastava

Shitiz Srivastava is a noted director in Bollywood. Not only is he a director but also an actor. Shitiz Srivastava completed his schooling in New York at St. Anthony high school in the year 2002. Later he came back to India to study his undergraduate at University of Lucknow, Lucknow. Even during his graduate at Uttar Pradesh Technical University, Shitiz Srivastava never realized that he is going to have a career in film industry. He started working as a software engineer at Infosys, Mysore and decided to go to Mumbai to achieve his goal; to be a director. With the little amount in his bank account, the director determined to start his movie journey and struggled a lot to get an opportunity in Bollywood. In 2009, he helped Anil Srivastava as an assistant director for the daily soap “Kuch Lamhon ke Rishtey” and had his first step in filmmaking. With a little luck and hard work, Shitiz got an offer to work as an assistant director for the film “Love” made by “abhineet Gogne”. After the release of the picture Srivastava made few contacts in the Hindi film industry and immediately got another offer as an assistant art director for the “Soundtrack” in 2011 under the production of HMV SaReGaMa. Shitiz Srivastava directed many advertisements such as Bombay times, Cadbury’s, Aditya Birla Insurance and Hero Motors, etc while he was working as an art director. An Indo-Russian picture “One more” based on ice hockey; an award-winning director Shivajee Chandrabhushan’s movie gave Srivastava a chance to be his assistant director. This release was the career changing point for Shitiz as this picture won so many national and international awards. In 2013, under the Room 102 Productions, Shitiz Srivastava scripted, screen played and directed a film “Amphigory” a boxing based flick. Not only did he take care of the technical part but he also starred in the film. This picture had won the hearts of critics and showered so many positive reviews. In the same year, he released one more movie “Lasafot” under the Rudra Abhishek productions. In between working for the feature films as a director and assistant director, Shitiz Srivastava also made few short films too. He released a small film in 2012 with the title “Madha Story” which won rewards and awards and “Colors of Woman” in 2011. He launched a book with the title “Amphigory”. Shitiz never stopped there but did so many tasks. He edits, creates visuals, illustrates and also does photoshop and an experienced photographer and very well knows about Canon 550D, 5D and Red Epic.

Shitiz Srivastava Hindi Actor