Arjun Raina

Arjun Raina has trained as an artist at The London College of Music and Dramatic Art. Through 90's he qualified as a Kathakali professional dancer with Sadanam Balakrishnan. He has tutoredVoice and Acting at the National University of Theatre. In a time of 15 years, Raina has performed in and guided about 100 creations in English and Hindi.

These comprise western masterpieces like Shakespeare, Stoppard, Shaw, and Pinter as well as Indian shows like Tughlaq, Sanskarko Namaskar. He is an interpreter and novelist of short tales and performances. Raina frolicked the title part in the movie written by Arundhati Roy and led by Pradip Krishen.

He has also done acts in 'The Mandal Scheme ' (for Italian TV), 'Electric Moon' (for Network 4), and ' Saanjh Bio Coming Soon... >> Read More... ', a picture-guided by Sabrina Dhawan Sabrina Dhawan is a producer and screenwriter from >> Read More... . Loveliness is born in a drama about Global call centers in India. Set in both Gurgaon, India and New York Click to look into! >> Read More... , USA, this act explores a connection between an old American woman Elizabeth in New York and her telephonic credit dues gatherer who she recognizes as John.

Through this association, we learn this odd new world of fake accents and characteristics. Right until the end of the performance, Elizabeth believes John is an American whereas, in reality, he is Ashok Mathur phoning from Gurgaon with a false designation, accent, and personality. He went about developing his style of drama, merging Indian and western features. He doesn't intentionally seek any dissimilarity between any conception of Indian and western.

All his work originates from him and is a very indispensable part of him. It’s his appearance. If there are distinct elements to be seen inside it, then they happen within him. The creator’s present work for The Other Carnival seems to reveal political and socially delicate issues. What triggered this sudden interest in the subject, he explains that his father was a Naxalite when he was an infant.

Political awareness is a return to juvenile for him. And for an actor, childhood is the actual trigger of inspiration. When enquired about the message he wants to convey via his work. He says that all employees in Indian call hubs must have their labels. It’s vital to their sense of self and individuality. Do the performers run the risk of being called moralistic or aggressive when they take up conservational issues was asked the director.

He said that if the performer is thoughtful and influenced by the subject, then this is an inappropriate concern. Last but not the least the artist asked about what the current cinema setup in India needed or was missing he had a hilarious and witty reply. He said that it lacked more of his presentations.